Showing posts with label Abbie Cornish. Show all posts
Showing posts with label Abbie Cornish. Show all posts

Monday, September 16, 2013

Robocop ~ Reboot, Remake and Rehash Official Trailer

To be honest, I am not sure what I think about this new remake/reboot/rehash of the Robocop franchise This new reboot did what many others have done in recent past and make the main character darker, more serious and sometimes it works and sometimes it doesn't.

Replacing Peter Weller s Alex Murphy the Robocop in this new version is Swedish-American actor Joel Kinnaman. Americans will probably best know Kinnaman from AMC's "The Killing."  He plays Stephen Holder opposite of Mireille Enos's character Sarah Linden, based on the Danish series, "Forbrydelsen" ("The Crime"). 

Abbie Cornish ("Limitless") plays Clara Murphy, Alex's wife. I am assuming that the story revolves more around Alex's personal issues after he is car-bombed outside his house.

There are some changes to the basic infrastructure updates to the story. The story still takes place in Detroit, and the writers give the bankrupt city another 14 years. The name of the corporation that the city contracts out its police protection to is now called OmniCorp, rather than Omni Consumer Products (OCP) in the 1987 original. 

The head of OmniCorp is a man by the name of Raymond Sellars who is played by Michael Keaton. Ronnie Cox played Dick Jones the CEO, however, even he had Dan O'Herlihy's character known only as The Old Man to answer to. I am not sure of the corporate hierarchy in this new OmniCorp. I don't remember the doctor too much from the original, however, in the new version, Gary Oldman ("The Fifth Element") plays Dr. Dennett Norton, the guy who created Robocop. I like Gary Oldman. Somehow in this new version, OminCorp's  head of marketing (Jay Baruchel) plays an important part. Perhaps he takes on Miguel Ferrer's character Bob Morton. Who knows...

The Anne Lewis (Nancy Allen) will not return, but Murphy does have a former partner by the name of Officer Jack Lewis played by Michael Kenneth Williams. Confusing, isn't it.

Samuel L. Jackson ("Star Wars: Episode III - Revenge of the Sith") plays a charismatic media mogul, who I am sure is up to no-good.



Based on the trailer above, it seems like more of a "Bionic Man/Darth Vader" like character. This Alex Murphy seems to maintain some of his humanity, whereas, Peter Weller's original seemed more dead than alive, and throughout the film regained his personality and his humanity. I will take a wait and see attitude towards this new version of an 1980's classic.

Here is the official Sony Entertainment synopsis:
"In RoboCop, the year is 2028 and multinational conglomerate OmniCorp is at the center of robot technology. Overseas, their drones have been used by the military for years - and it's meant billions for OmniCorp's bottom line. Now OmniCorp wants to bring their controversial technology to the home front, and they see a golden opportunity to do it. When Alex Murphy (Joel Kinnaman) - a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit - is critically injured in the line of duty, OmniCorp sees their chance for a part-man, part-robot police officer. OmniCorp envisions a RoboCop in every city and even more billions for their shareholders, but they never counted on one thing: there is still a man inside the machine pursuing justice."

Movie Data

Genre: Action, Crime, Sci-Fi, Thriller
Year: 2014
Staring: Joel Kinnaman, Michael Keaton, Abbie Cornish, Samuel L. Jackson
Director: José Padilha
Producer(s): Marc Abraham, Eric Newman
Writer: Michael Miner, Edward Neumeier, Nick Schenk, David Self, James Vanderbilt, Joshua Zetumer
Rating: PG-13

Running Time: 117 minutes
Release Date: 2/17/2014

Monday, May 20, 2013

A Review of Zac Snyder's Sucker Punch

Oh Yes, One More Thing --   Sucker Punch Has No Plot


Sucker Punch Banner | A Constantly Racing Mind

The theme of perception and alternative realities is pervasive in today's cinema. Some recent examples include; "Caprica" (2009), "The Adjustment Bureau" (2011), "Inception" (2010), "Shutter Island" (2010), and to some degree, "Black Swan" (2010). Going back a bit further in film history to 1998's "What Dreams May Come,"  "The Matrix" (1999) and further back to "Pink Floyd's The Wall" (1982) are a series of films with the common theme of escaping into one's mind while searching for solace from the pain of reality. Although the movies are a way to escape the boredom or the realities of everyday life, audiences have a tendency to want their fantasy films, or their escapes to have some attachment to the real world, however slight, in order to affirm a sense of being believable. "Sucker Punch" stars Emily Browning ("Lemony Snicket's A Series of Unfortunate Events" - 2004), Abbie Cornish ("Limitless" - 2011), Oscar Isaac ("Robin Hood" - 2010), Jena Malone ("The Ruins" - 2008), Carla Gugino ("Spy Kids" - 2001), and Scott Glenn ("Secretariat" - 2010). The MPAA rates this film PG-13.

"Sucker Punch is a totally incomprehensible over the top set of dream sequences that thinly disguise a pretentious, but weak, morality tale aimed at the younger 'hip' video game audiences. Quite frankly, initially when watching the trailers for "Sucker Punch", I was thrilled to see what I considered was a virtual world filled with vehicles, weapons, and fashion styles of various periods meshed seamlessly together in a way that I believe only Tim Burton can achieve. Unfortunately, what Zac Snyder presented is a disjointed tale of a girl whose grasp of sanity is deeply in question from the first scene, to the last. Also in question is Snyder's comprehension of what works for a story. Shifting between an oddly tinted color sequences and black and white images, "Sucker Punch" follows Baby Doll (Browning), whose mother dies, leaving her and her younger sister in the care of her evil stepfather. The stepfather (Gerard Plunkett) is a lecherous greedy bastard who first wants to have his way with Baby Doll, but ends up, instead, with her younger sister. In an effort to protect her sister, Baby Doll shoots her stepfather and inadvertently kills her sister. Sent away to an insane asylum, Baby Doll retreats from her personal hell, by slipping into psychedelic trance while dancing an exotic raw sexually charged dance sequence while dreaming of a fantasy world where she and her friends are the heroines.
Sucker Punch World War I | A Constantly Racing Mind

Like Nolan's "Inception," Snyder provides several levels of Baby Doll's ability to perceive her reality. The first level is that instead, of being dropped off at an insane asylum by her step dad, she was dropped off at nightclub/brothel by a priest. In this reality, it is her duty to dance and please the customers. In this level, the color pallet that Snyder uses is more the look of a color tinted black and white photograph. What could potentially become an exciting story with a purpose devolves into a poor shadow of the traditional test and quest heroine journey. What Snyder does is creates several Sci-Fi music videos that feature Baby Doll, Sweet Pea (Cornish), and Rocket (Malone). Oscar Isaac stars as Blue Jones, a high ranking orderly in Baby Doll's reality, and the owner of the nightclub in her Brothel fantasy. Tying all these visually spectacular music videos together is Scott Glenn as the Mentor. Baby Doll first meets him during her first trip into her second level of alternate reality (AR). In this version, we find Glenn as the Mentor in a Buddhist monastery and tells her that she must acquire the following items back in her first level of AR: A knife, fire, a map, a key, and of course the last item is a mystery for Baby Doll to discover at the end. Carla Gugino plays Dr. Vera Gorski who in this film doubles as the head psychiatrist of the institution, and the dance instructor at the brothel. Her job is to teach the girls to survive the hell-hole of the brothel/asylum.
Sucker Punch Cast | A Constantly Racing Mind

Baby Doll's fellowship of conspirators includes Rocket, Amber (Jamie Chung) as the getaway driver, and reluctantly Sweet Pea, who as the oldest, is as the de facto leader of the girls and the common sense anchor of the group. In the fantasy worlds of Baby Doll's mind, which is a combination of Science Fiction and Fantasy, seems out of place, as Baby Doll doesn't strike me as a nerdy geek of a girl. In fact, Baby Doll appears more like Brittany Spears look alike in all of her perceptions of reality. I am understandably confused and am disturbed by a certain lack of period accuracy. The girl's hair styles are wrong, instead of looking like a woman from the 1950's; they look like Victoria's Secret models. The exceptions are Gugino's and Isaac's brothel scenes, which seem correct. The fedora is in fashion once again like in Caprica and "Brylcreem" is also back in style. An unlikely scene for the 1950's is the possibility of a plain paper copier being used in a brothel. I saw a guard wearing IPods ear buds.

With "Sucker Punch,"  Zac Snyder creates a visually stunning world, over the top action sequences, while unable to construct a story that has any meaning, or a theme of any sort. In our present world of video games and Facebook, our perception of reality is already terribly confused, blurred, and shadowy. Zack Snyder, whilst on LSD allows his better judgment to lose its way in the fluid world of CGI so deeply, that the audience sits and ponders if the resultant film is artistic genius, or just downright stupid. I choose the latter, and recommend "Sucker Punch" for DVD rental on a day where you are incredibly bored, or already in an altered state of reality.

Movie Data

Genre:  Action, Adventure, Fantasy
Year:  2011
Staring: Emily Browning, Abbie Cornish, Jena Malone, Oscar Isaac, Carla Gugino, Scott Glenn
Director: Zack Snyder
Writer(s): Zack Snyder, Steve Shibuya
Producer(s):Deborah Snyder, Zack Snyder
Rating: PG-13
Review originally published in 2/16/2012 on Yahoo! Voices

Saturday, March 19, 2011

Limitless Has Its Limits

Limitless - Poster | A Constantly Racing Mind

There Are No Safeguards in Human Nature

W hat would you do if you had a magic pill that made you a 100 times smarter? Bradley Cooper and Robert De Niro show us how to evade killer henchmen, and murderous loan sharks in 'Limitless.'  Would you use this drug wisely or squander it?

"Limitless" is one of those films that you come away from feeling like you just took the best acid trip of your life. Bradley Cooper stars as writer Eddie Morra, a Generation Xer, whose life showed promise while in college, but has basically gone nowhere since. He lacks the creative spark that we all know exists within us, but is buried so deep that very few of us can access it. The hope that director Neil Burger ("The Illusionist") tempts us with, as Eddie is tempted with, is that magic something that would unleash that spark. In this case, like the drug Lysergic acid diethylamide (LSD) of 60's and 70's, Eddie is hoping his mind will open and with a new vision of reality he can see his future and write his book. Robert De Niro stars as Carl Van Loon, a big shot businessman who plays Eddies mentor, employer and nemesis. Abbie Cornish ("Sucker Punch") plays Eddie's love interest who works at the publishing company where Eddie has his book contract. Limitless is about a new drug that could potentially help humanity, but ultimately the film is about drug addiction, the dangers involved, depression, and most of all, the rush and the thrill. Limitless is rated PG-13 and runs about an hour and forty-five minutes. 

"Limitless" starts off with a cliffhanger, literally. Standing on the balcony of his high-rise fortress of solitude, Eddie is narrating the circumstances of his predicament. Eddie has the wolves banging at the door, desperate, not wanting to die a slow torturous death at the hands of a loan shark, he is about to end his life. Not much of a film if he jumps, so instead we flashback about a year earlier... Looking somewhat like a drug addict, Eddie is a writer with a bad case of writer's block. He has an advance from a publishing company and no book, not even one word, to show for it, and Lindy (Cornish) his girlfriend, ceremoniously dumped him. At the nadir in his life, Eddie has a chance meeting with his ex-brother-in-law, Vernon (Johnny Whitworth). Eddy was married to Vernon's sister Melissa, right out of college for about four months. Eddie knows Vernon once was a drug dealer, and although Vernon assures him he is not, while at lunch, he gives Eddie a free sample. Telling Eddie that what he has now is a miracle drug that will help with his creativity. The free sample is of a "FDA approved pharmaceutical called NZT, but yet doesn't have a street name. Eddie pocket the pills as he is trying to stay clear so he can write his book, Eddy heads home to his crappy little New York apartment with its multiple door locks and filthy dishes, and junk all over the floor. However he doesn't make it to the door, as his landlord's young cute wife happens to be there and is ready to bitch him out about the rent. So finding he has nothing to lose, he pops the pill and about thirty seconds later, the pill kicks in and he starts making connections, the girls text book, she is going to law school, the subject of her paper, suggestions for a better paper, etc. All this stimulation to his synapses is shown with CSI like visuals, and here is where Burger wants us to make the connection that knowledge can get us brainy guys, you guess it, sex. This is only the first of many situations that show us that being smarter will somehow get you laid. Knowledge like anything in this world is a tool, and the question comes to mind, what would we do with such a power. Would we get rich with it, help others; hurt others; would we work to make this world better?
Limitless - Bradley Cooper | A Constantly Racing Mind
Trying to encapsulate the ideas in Alan Glynn's novel, The Dark Fields, onto the big screen, Burger resorts to having Cooper narrate many main points that he wants us to remember. The narration both helps and hurts at times. The rule in filmmaking is show, don't tell. This is a visual medium, however, there is just so much material crammed into this film that it is actually draining at times. Realizing that NZT is like Adderall for normal people, Eddie finds that now he can focus and prioritize his life better than he could ever have before. Burger uses mind altering camera effects to show Eddie essentially being in many places as one time, while he picks up the pig-sty of an apartment. He sits down and writes out several chapters of his book, delivers it to his slack jawed publisher, all in a space of a day. What becomes apparent quite quickly is that without taking the drug on a constant basis, that clarity, the ability to focus, the sense of urgency, that Eddie experiences when he took NZT, is gone. Like a junkie who needs a fix Eddie goes to Vernon's apartment. Finding Vernon a little worse for wear, Vernon sends Eddie on some errands. When he returns, finds Vernon dead. Shot in both the chest and in the head, Eddie realizes that whoever killed Vernon was after the drug. He calls the cops and then searches for the pills,
From here on out, "Limitless" takes on most aspects of a thriller, not only is he followed by the man in the Tan Coat, Unwisely, Eddie makes a deal with an Eastern European loan shark for a hundred grand. Coming out of nowhere, Eddy makes a small fortune, meets some really nice upper crust friends, gets a new wardrobe, cuts his hair, and goes to town. Knowledge is power. Using his limited supply of NZT, he sets out to take the small amount of cash of about eight hundred dollars into a small fortune by playing the stock market, and using math to win at Black Jack. Eddie gets noticed by one of the biggest badass businessman in New York, Carl Van Loon (De Niro). Not the type to take no for an answer, De Niro plays Van Loon like, uh, De Niro. Pressing Eddie to review some investment options, Eddie filters through all the data to see connections, between crap investments and some more lucrative possibilities that are buried deep in the portfolio. Scenes like this will actually cause the audiences eyes to glaze over, but it's the concept that matters. Human beings retain all that they hear, and all that they see, however, the problem is in recalling all that information as needed. Remembering the name of a song an hour later or a day later doesn't help you if you are trying to win a radio station contest for a prize.
Limitless - Bradley Cooper  & Abbie Cornish | A Constantly Racing Mind

Speaking of concepts, the idea of a smart drug is not new. Flowers for Algernon and the 1968 movie adaptation, "Charly" take on the subject with both positive but ultimately disastrous events. In the 1999 film, Deep Blue Sea, the search for an Alzheimer's cure leads to death by shark. Essentially, humans need the synapses in our brains to fire consistently, continually, and the ability to make new synaptic links. NZT creates these temporary links but as Eddie finds out, not only do you lose your ability to focus and recall information on a whim, but your brain actually deteriorates without it. Meeting up with his ex-wife Melissa, he sees a woman who let NZT suck the life out of her. She warns Eddie about it, informing him that he should wean himself off of it slowly. As the movie progresses, you will start noticing in other characters the signs of NZT addiction. You will start suspecting everybody, however, Burger, and producer Cooper will leave you with an interesting twist.
Bradley Cooper plays all version of Eddie Morra well. From the loser at the beginning, the successful but addicted Eddie, the desperate and depraved Eddie, and finally the completely changed Eddie that the film leaves us with. The question I have is without Cooper's good looks, but with his increased mental prowess, would he still score all the women that the film depicts? Abbie Cornish's Lindy seems a bit shallow, she dumps Eddie, but once he gets smart, she's back in his arms and in his bed. Robert De Niro plays Van Loon like Jimmy Conway from "Goodfellas." Andrew Howard plays the Eastern European mob character Gennady, and does so with gusto. 
Limitless is chalk full of special effects that Neil Burger uses to get our attention and trip us out with. Thank God the film is not in 3D as I think I would have puked. Images go on forever, space bends, and there is actually a very cool Matrix/Bourne fight scene. Drugs, like a viral video on YouTube get around. It doesn't seem to matter if the drug is legal or not, if people want it, they will get it. Is this another social commentary that is being pointed out to us? Another thing this film does, is that it encourages me to attempt learning a new language, or read Brian Greene's Elegant Universe and understand string theory. Not going to happen, but in the moment it seems achievable. Limitless also points out to us very clearly, is that we are actually only pale reflections of our true selves. The ability to use more than the 20% of our brains that we currently limited to, seems like a worthy aspiration doesn't it? What Limitless does show that there is a cost to letting the Genie out of the bottle? For some, they pay with their lives; some deteriorate physically, while others sink into the depths of depravity.
Although there is a lot to like about Limitless, there are a few things I didn't care for. The fact that, like "Underdog" we need to pop a pill in order to get out of jams. This seems just a bit too handy for the writers, sort of a Deus ex machina. Libby is told, by Eddie as she is chased through Central Park, that all she has to do is pop one of those clear, round NZT tablet, and all her problems are solved. Where is the work, the safeguards? As Eddie points out in the film - "There are no safeguards in human nature." A few people get killed in Limitless; however, these murders seem to clean themselves up a bit too neatly. Take Vernon's murder for example, although it was Eddie who called the police, he did have the NZT on him, yet the cops failed to at least pat him down. Or a girl, who Eddie was with before she was killed, seems to fade away without further mention. The film does point out, or at least infers to the theme that intelligence is not a substitute for wisdom, and this film points out some pretty unwise moves that the characters make. Far from being perfect, "Limitless" is worth a matinee showing, or for the thrill seekers it is a decent date film. I would definitely watch it again when it comes out on DVD or Blu-ray.
Movie Data
Genre: Mystery, Sci-Fi, Thriller
Year:  2011
Staring: Bradley Cooper, Robert De Niro, Abbie Cornish, Andrew Howard, Johnny Whitworth
Director: James Gunn
Producer(s): Leslie Dixon, Ryan Kavanaugh, Scott Kroopf
Writer: Leslie Dixon, Alan Glynn (novel)
Rating: PG-13
Running Time: 105 minutes
Release Date:  3/18/2011
First posted on Associated Content/Yahoo Voices on 3/19/2011