Showing posts with label Brenton Thwaites. Show all posts
Showing posts with label Brenton Thwaites. Show all posts

Friday, July 4, 2014

Three independent films worth watching this 4th of July weekend.

Just because a film doesn't have a big budget doesn't mean it doesn't have big ideas or something to say.  Three films that I have seen in the last month have not only caught my attention but my imagination as well.

Chef - Comedy
First from Open Road Films is John Favreau's summer film "Chef.”  The film may not make tons of money, but it will make many people happy.  "Chef" is a story of one man's search for happiness and finding it at the most essential level: food, family, and personal self-worth.  "Chef" includes “Iron Man" alums Robert Downey Jr. and Scarlett Johansson in supporting roles.  But the big stars along with Favreau are Emjay Anthony, John Leguizamo, and Sofia Vergara.  The MPAA gave "Chef" an R rating for language, and some suggestive male bonding references.  The film runs just under 2 hours and worth every minute.


The Rover - Crime Drama
Secondly, I recommend the Australian film from A24 studios titled "The Rover.”  A carefully paced film that loves wide-open spaces, and with a sense of turmoil that burns below the surface.  Guy Pearce and Robert Pattinson star in a film that typifies Australian cinematic style with long periods of silence and then sudden bursts of violence that shatters the narrative and reminds the viewer that the world that we are wandering in. is a wilderness of pain and violence.  "The Rover" is a film about the search for humanity, civility and the safety of structure.  The film is violent and deserves its R rating, and runs about 1 hour and 40 minutes.




The Signal - Sci-Fi

Last, but not least is "The Signal" from the art house Focus films.  Director William Eubank takes us on a journey into the depths of conspiracies and into a world of interesting concepts.  Is it Alien contact, or is it something from "The Twilight Zone?"  That is the question "The Signal" asks.   The film stars Brenton Thwaites, Olivia Cooke and Laurence Fishburne star in this well-made stylish Science Fiction adventure.  "The Signal" is Science Fiction in its true form, unaltered by fantastical elements from fantasy or the horror genres.  If you don’t see “The Signal” in theaters, make sure that you catch it on Blu-ray or DVD. Rated PG-13 and runs 85 minutes.




Summer 2014 Independent Film | A Constantly Racing Mind

Saturday, June 14, 2014

Following The Signal Deep Into the Rabbit Hole

The Signal - Poster | A Constantly Racing Mind

Thirty-two year-old writer, cinematographer, and director William Eubank ("Love") along with David Frigerio ("Wreckage") and Eubank's younger brother Carlyle Eubank, construct a Sci-Fi lover's cunning and surreal take on alien contact.  Both beautiful, and clever, "The Signal," does an excellent job of leading you further into the conspiracy and closer to the edge of your seat.  2014 is 25 year-old actor Brenton Thwaites' year.  In April, he starred with Karen Gillan in the horror film "Oculus" and had a small role as Prince Phillip in the Angelina Jolie's "Maleficent."  Later this year Thwaites stars in the long awaited adaptation of Lois Lowry's 1993 Newbery Medal award winner, "The Giver.”  In "The Signal," Thwaites plays Nic, a MIT student.  Laurence Fishburne ("The Matrix," "Event Horizon") takes on another risky role as Dr. Wallace Damon.  In supporting roles are Olivia Cooke ("The Quiet Ones") plays Haley, Nic's girlfriend, and Beau Knapp ("Super 8") is Nic and Haley's friend Jonah.  Nic and Jonah are MIT students driving Haley to California to deliver Haley to Caltech in Los Angeles.  

Nic has muscular dystrophy and needs to us crutches to walk, but Nic loves to run.  He loves the freedom of running, and director Eubanks beautifully starts his film with Nic jogging on a forest trail until he comes to a point where the way is blocked by a raging river.  He and Jonah are MIT students driving cross-country on their way to Caltech to help Nic's girlfriend Haley move before the next semester begins.  They're hackers who almost were expelled from MIT when the real hacker, who goes by the hacker name "Nomad," led the authorities in their direction.  While In a motel room, in the middle of the night, Nic and Jonah trace Nomad's IP address, his signal.  Only to have Haley's computer hacked by Nomad as a technological taunt.  Jonah is ready to take on Nomad, as they are only several hundred miles away, however, Nic is hesitant as he contemplates his girlfriend moving across country and knowing that his condition will worsen.  Although the film is only an hour and a half, director spends time in the first 15 to 20 minutes building character through flashbacks, short scenes of narrative building dialog, and views of the landscape that don't feel rushed but evenly paced.  However as we only get through know Haley and Jonah peripherally while focusing primarily on Nic. Olivia Cooke's Haley character is one dimensional and spends the last hour of the film in either a comatose state or in a state of semi consciousness.  The only real thing about Jonah that we learn is that he is extremely loyal. 


The Signal - Brenton Thwaites | A Constantly Racing Mind


Although Nic is conflicted with the logical choice of not taking a risk and playing it safe by going straight through to Caltech, or to follow the signal which Jonah is sure will lead the to their hacker nemesis, he decides to track down Nomad and expose him for the MIT server hack.  Later that night, the three find themselves in front of a rundown shack off a dark dirt road in the middle of the Nevada desert.  Breaking all rules of common sense and one of the top five rules of horror films, they leave Haley in the car with the doors locked.  Jonah and Nic explore the seemingly empty house.  While searching the basement, the guys hear Haley's screams and Jonah runs up the stairs and Nic hobbles after him with his crutches, finding the car empty, and Haley gone.  Some chaotic shots and an image of Haley being tossed in the air as the scene cuts to black.

2.3.5.41

In contrast to the first 30 minutes, the second act is underground, sterile, and visually set against a slightly overexposed white background.  Nic, dazed, confused, and possibly drugged, is dressed in a hospital gown, and confined to a wheelchair is rolled into an interview room where he meets Dr. Wallace Damon (Fishburne).  In a thick padded hazmat suite, Damon questions Nic but offers no information.  Damon is cryptic and vague in his answers.  “Are you from Earth?”  Damon asks.  Nic who realizes that he can't feel his arms, asks Damon why.  Fishburne delivers the answer in a Kafka-esque manner, “Due to circumstances surrounding your condition, I’m afraid that our information is extremely limited.”  "The Signal" provides a new term to our UFO lexicon is Extraterrestrial Biological Entity or E.B.E.  The terms alien contagion, quarantine, and Damon's warning, "I can only you safe from them down here."  More importantly, in this supposedly high-tech research facility, Nic witnesses clocks stuck at 12:30, signs posted upside down, and Damon records the interview on a 1980's era cassette recorder.  Where is Jonah?  Damon's reply "We were unable to recover him," yet Nic converses with the disembodied voice of Jonah through the air-vents.  Nic also witnesses rooms splattered with blood, which the people in hazmat suits scrub down repeatedly.  While in an escape attempt, with the unconscious Haley in tow, Nic rounds a corner a strange experiment involving a cow.  Nobody other than Damon ever talk.  “Are you agitated?”


The Signal - Laurence Fishburne | A Constantly Racing Mind

Laurence Fishburne is an accomplished actor whose roles range from a teenager caught up in the Vietnam War ("Apocalypse Now") to a murderous gang member in "Death Wish II.”  Fishburne's career shifted to Science Fiction in 1997 when he starred in Paul W. S. Anderson's Sci-Fi gothic horror film, "Event Horizon.”  He became a true household name in 1999 when he played the mystical, inspirational, and steadfast captain of the hovercraft Nebuchadnezzar in "The Matrix," "The Matrix Reloaded," and "The Matrix Revolutions."  In 2009, Fishburne played a bank robber in "Armored” and a mentally unbalanced alien planet castaway in "Predators," and a virologist for the CDC in "Contagion."  In 2013, he starred in the "The Colony," a film with some interesting but derivative post-apocalyptic ideas.  In "The Signal," Fishburne's Damon character is mysterious and leaves not only Nic confused, but agitated.  Nic and Damon have daily interrogations that leave Nic pissed on a daily basis.  When asked to match colored shapes Nic screams "...spectral colors of light are more important than their words.”  Or, infuriated by Damon's questions and lack of answers, Nic yells at Damon, "You are a relic protecting ruins."  Damon stays calm and nonplussed throughout the film.  Damon delivers his last line in the film in a familiar Morpheus-esque way.

"You have an extraordinary will to survive."

What keeps the audience from getting agitated with the twists and turns in the plot is Lin Shaye ("Insidious").  She plays a complete religious wacko who aid Nic and Haley.  She preaches to the two to "Take comfort in the thought that THEY are watching over us,” then turning her head upwards she gives an orgasmic vocalization.  When asked by Nic, who THEY are, she then strangely mutters something about "the coming hoards.”  Her demented character also tells the kids to "just push from the inside out!"  Her performance not only provides comic relief to what would be a very self-serious film, but also heightens the mystery of plot.


The Signal - Laurence Fishburne & Lin Shaye | A Constantly Racing Mind


Eubank and company do an excellent job of combining their love of classic Sci-Fi tropes that brings themes of paranoia, identity, and of time and space, which also include elements from "The Bionic Man," "District Nine," "Dark Skies," and even the "Matrix.”  Composer Nima Fakhrara and cinematographer David Lanzenberg's visual choices of close-ups and medium shots give the characters and events a personal connection.  The sights and sound combine to present a visually stylish and musically relevant cinematic experience that reminds one to both versions of Stanislaw Lem's "Solaris.”  The special effects are top-notch in spite of tight budget constraints.  Brenton Thwaites shows us with each outing that he is capable of holding together not only a scene, but also a whole film.  His on-screen presence can be bold, but at time humorous and intimate.  Fishburne's performance, although quirky at times, lends weight to the offbeat conclusion to the film. 


The Signal - Brenton Thwaites & Olivia Cooke | A Constantly Racing Mind





"The Signal," although a low budget genre film, is conceptually and narratively solid.  Cinematically “The Signal” shoots for the stars but diverts strangely into the bizarre dimension of the “Twilight Zone."  Mainstream film critics won't care much for "The Signal," however; Science-Fiction fans will enjoy the familiarity and homage of certain archetypes.  Lawrence Fishburne will be the biggest draw, however, Brenton Thwaites is courageous with his performance, and that boldness is as intense as Fishburne’s stoicism.  "The Signal" is Science Fiction in its true form, unaltered by fantastical elements from fantasy or the horror genres.  If you don’t see “The Signal” in theaters, make sure that you catch it on Blu-ray or DVD.

Movie Data

Genre: Sci-Fi, Thriller
Year:  2014
Staring: Brenton Thwaites, Olivia Cooke, Beau Knapp, Laurence Fishburne
Director: William Eubank
Producer(s): Tyler Davidson, Brian Kavanaugh-Jones
Writer: David Frigerio, Carlyle Eubank
Rating: PG-13
Running Time: 95 minutes
Release Date:  6/13/2014

Tuesday, May 6, 2014

Oculus: A Trick With Light and Mirrors

Oculus - Poster | A Constantly Racing Mind
The term oculus is a misnomer. An oculus is not a mirror, but a round or eyelike opening or design.  The film "Oculus" is just plain deceiving, but in a good way.  Like many recent horror films, the protagonists are a family under siege from a malevolent supernatural force.  Written and directed by Mike Flanagan (“Absentia”), "Oculus," is a suspenseful, scary horror film in the same vein as "Insidious," or "Sinister."  This latest offering from Blumhouse productions is about an ancient mirror that unleashes an evil force in the lives of a typical American family.  "Oculus" follows many of the horror genre tropes that have made Blumhouse productions a household name when it comes to modern family-horror.  Although not necessarily gory, "Oculus" is rated R for the violence and language.  Look for one hour and forty-five minutes of interesting, disturbing, and at times a confusing peek at your normal everyday family haunted by an ancient evil.

Our family, by the name of Russell, comprises of a self-employed software developer, a mom, a redheaded, pre-teen daughter, and a dark haired son who is about two years younger.  Rory Cochran, once a starring cast member of the now defunct "CSI Miami," plays Alan Russell,  the father, who 11 years previous, allegedly murdered his wife.  The doomed wife and mother, Marie, is played by Sci-Fi star Katee Sackhoff.  Widely known for her role on television's "Battlestar Galactica,” Sackhoff is no stranger to the horror genre.  In 2000, she was in "Halloween: Resurrection," and she started opposite of Nathan Fillion in "White Noise 2," and the more recent "Haunting in Connecticut 2: Ghosts of Georgia.”  New to American horror movie audiences, but not to "Dr. Who" fans, playing the now grown daughter of this family, is Karen Gillan while Annalise Basso playing the 12 year-old Kaylie.  Rounding off the cast, playing the 21-year-old Tim is Australian, Brenton Thwaites, and American actor Garrett Ryan plays his younger self. 


Oculus - Rory Cochran: Kill her!  | A Constantly Racing Mind


Now 21 years-old, Tim (Thwaites), is conversing with his psychiatrist, Dr. Shawn Graham played by "Medium" co-star Miguel Sandoval.  Tim has come to terms with demons and recognizes that he is responsible for shooting his father when he was 10 years-old.  His older sister Kaylie (Gillan) is another matter.  Over the past 11 years, Kaylie, was left to cope with the devastation that came to visit their family when their dad, bought an antique, almost grotesque, full-length mirror with an ornate wooden frame.  The mirror is over 300 years-old and once sat in Balmoral Castle in Scotland.  The mirror we are told, has had numerous owners who all have died horrible deaths.

Kaylie's fiancé Michael Dumont (James Lafferty - "One Tree Hill") runs an auction-house and Kaylie has throughout the years been tracking the mirror through its various owners and via the auction-house purchased the mirror on the same day that her brother is being released from the mental hospital as a "cured" individual.  The question of sanity is one that is not only asked by the audience to the characters and events in this film, but the audience may also ask that question of themselves as well.  Memory is a tricky thing, and looking back 11 years and trying to remember certain events in a certain way, is at best circumspect.


Oculus - Karen Gillan & Brenton Thwaites & the Mirror  | A Constantly Racing Mind


Setting up cameras and having a rigid plan, Kaylie and Tim venture to their old house where the gruesome death of their mother and their father's murder took place.  The goal is to somehow prove that the mirror is to blame for Alan's death and not Tim.  After carefully reviewing the history of all of the deaths that have been recorded throughout history in relationship to the mirror, Kaylie has a plan that includes hydration, check-ins by the fiancée, and tracking of paranormal activity with the use of plants. Gillan plays Kaylee with determination that is quite obsessive and believable. On the other hand Thwaites, is a little less convincing, but that changes closer to the end.

In telling this story, Flanagan chose to interweave scenes from the past as the two surviving children return to the house they once lived in.  The past unfolds like Stephan King’s "The Shinning," we see a father's quick descent into madness and followed very quickly by the moms, leaving the kids to fend for themselves.  The story is clever, as Kaylie has set up video cameras, à la "Paranormal Activity."  What happens in the house in one night is both predictable, and yet not.  Karen Gillan portrays Kaylie with a solid sense of purpose in defeating the thing in the mirror, and with the help of her brother, hoping show the world that her brother isn't a murderer, but killed their dad in self-defense.  I never got a sense of creepiness from Rory Cochran when he was on "CSI: Miami.”  However, in "Oculus" he portrays the dad, not only the sense of creepy, but also as time goes on, a certain sense of doom and dread.  Like the film itself, Rory plays dad much more subtle in his madness than Jack Nicholson does in "The Shining."  Katie Sackhoff's character Marie, succumbs, like her husband, to the effects of the mirror.  The slow rumble just below the surface, tiny voices in the back of your head with the millions of tiny whisperings play on the character’s minds as well as on the audiences.  The images in the mirror are deceiving and at times confusing.  Katee Sackhoff plays Marie as if she more like Regan in the "Exorcist.”  At times, she raves like a demon when the mirror possesses her.

Oculus - Katee Sackhoff  | A Constantly Racing Mind


This is not Flanagan's first trip out with a film about an evil mirror.  In 2005, Flanagan did a short film titled "Oculus: Chapter 3 - The Man with the Plan.”  This short seems to be the seed of what this new and improved film is about.  "Oculus" is more subtle than the 2007 film "Mirrors" starring Kiefer Sutherland.  With "Oculus," the art of building to a climax is more than the horror that arrives at the end.  That is this film's strength and its weakness.  In trying to build up a climax that hopefully allows the audience to say "Wow."  Although that doesn't quite happen, "Oculus" isn't a total letdown.  The story is almost too clever, but not quite, the acting is solid, and the ending is decent, but not what I was hoping for.  Overall, "Oculus" is worth watching at some point on DVD or Blu-ray.


Movie Data

Genre: Horror
Year:  2014
Staring: Karen Gillan, Brenton Thwaites, Katee Sackhoff, Rory Cochrane
Director: Mike Flanagan
Producer(s): Marc D. Evans, Trevor Macy, Jason Blum
Writer: Mike Flanagan, Jeff Howard 
Rating: R
Running Time: 104 minutes
Release Date:  4/11/2014