Showing posts with label Gemma Arterton. Show all posts
Showing posts with label Gemma Arterton. Show all posts

Saturday, May 25, 2013

Byzantium Movie Clip ~ Eleanor's Essay


Neil Jordan is back with a new vampire film with "Byzantium". It has been about around 19 years since he directed the adaptation of Anne Rices's classic novel "Interview With A Vampire." Once again, the writer is a woman by the name of Moira Buffini. Based on a stage play she wrote the story is about:
"Two mysterious women seek refuge in a run-down coastal resort. Clara meets lonely Noel, who provides shelter in his deserted guesthouse, Byzantium. Schoolgirl Eleanor befriends Frank and tells him their lethal secret. They were born 200 years ago and survive on human blood. As knowledge of their secret spreads, their past catches up on them with deathly consequence."

You can find "Byzantium" in US theaters on June 28th, 2013

Movie Data

Genre:  Drama, Horror, Thriller
Year:  2013
Staring: Saoirse Ronan, Gemma Arterton, Jonny Lee Miller, Daniel Mays, Caleb Landry Jones 
Director: Neil Jordan
Producer(s): Sam Englebardt, William D. Johnson, Elizabeth Karlsen, Alan Moloney, Stephen Woolley
Writer: Moira Buffini
Rating: PG-13

Friday, April 19, 2013

Byzantium - Trailer


You've got secrets? Haven't you?

"The Borgias" creator, Neil Jordan returns to the big screen with a new tail of vampires. The "Interview with the Vampire: The Vampire Chronicles" director's new film, "Byzantium" stars Saoirse Ronan ("The Host," "Hanna") and Gemma Arterton ("Hansel & Gretel: Witch Hunters "), are two vampires who have found a haven in a small coastal town in Britain .  

"Byzantium" is the name of a run-down hotel (think Bates?), and this is where Clara (Arterton ) takes up with the owner, Noel (Daniel Mays). While the eternal 16 year-old Eleanor, falls for a local boy by the name of Frank (Caleb Landry Jones) and that is were the story gets complicated. Needless to say, people begin turning up dead.

Jordan, is not stranger to depicting his characters as sympathetic outcasts. In his 2008 film, "Breakfast on Pluto," Jordan shows that his quirky, and bizarre characters can be multidimensional and contain depth. Unlike the "Twilight" film characters, Eleanor and Clara are darker and and more edgy (based on the trailer).



Based on the play called "A Vampire Story" by Moira Buffini "Byzantium" is a tale of two strong women who are in conflict with their environment. 

Handling the musical score is Javier Navarrete whose fantasy, horror soundtrack credits include "Pan's Labyrinth," "Wrath of the Titans," "The Devil's Backbone" and  "Mirrors."

"Byzantium" opens June 28h, 2013

Movie Data

Genre:  Drama, Horror, Thriller
Year:  2013
Staring: Saoirse Ronan, Gemma Arterton, Jonny Lee Miller, Daniel Mays, Caleb Landry Jones 
Director: Neil Jordan
Producer(s): Sam Englebardt, William D. Johnson, Elizabeth Karlsen, Alan Moloney, Stephen Woolley
Writer: Moira Buffini
Rating: PG-13
Running Time: 118 minutes
Release Date: 5/31/2013

Friday, April 12, 2013

Clash of the Titans (2010)

The world is coming to an end, all new movies are remakes!!!


I grew up reading the Greek Myths, and this retelling is different from any other that I have read or seen. In yet another epic retelling of the story of the Greek gods, "Clash of the Titans" is remarkable for the special effects. Sam Worthington is on a roll with his third major special effect movie in two years. A few jokes here and there, a fast paced action-adventure script, appearances from popular stars such as Liam Neeson and Ralph Fiennes as the two warring brothers-gods, Zeus and Hades, and a ton of excellent special effects and you have an hour and forty-five minutes of fun and excitement. Well worth plunking down the seven dollars (matinee fees in my neck of the woods) to see this film.


Featuring an international cast, they stand around with no real purpose, on display. "Clash of the Titans" retells the story of the Greek hero Perseus, the son of Zeus, a demi-god, living among the mortals. Thrown into the sea with his mother Danae, by her husband King Acrisius, Spyros, the fisherman finds Perseus and raises him as his own. Years later, after the soldiers of Argos destroy the giant statue of Zeus (Liam Neeson), his brother Hades, convince Zeus, as the rest of the gods are standing around glowing, that humans must be put in their place and show some respect, damn it. Perseus, delivered to King Kepheus/Cepheus (Vincent Regan) and the arrogant Queen Cassiopeia (Polly Walker from Caprica), witnesses the queens declaration that her daughter the beautiful Andromeda (Alexa Davalos), “more beautiful than Aphrodite (Agyness Deyn) herself.” Pissing Hades off, he ages Cassiopeia instantly and gives the King an ultimatum. Sacrifice his daughter or he will let loose his child, the Kraken upon Argos. Turning to Perseus, he outs him as half man-half god (something he didn’t know himself). Thrown into jail, the King’s men not knowing what to do with him, he the eternally young Io (played by the twelve-fingered Gemma Arterton) visits Perseus in jail and informs him of his lineage and tells him of his destiny. A team assembled; the quest outlined, and the adventure begins. The rest is just action adventure and special effect after special effect. A feeble attempt to add some comic relief, in the characters Kucuk and Ozal(they reminded me of Pintel & Ragetti the two goofy sailors on Pirates of the Caribbean series) who decide they don’t do the Garden of Stygia leave the group in the middle of the second act. Essentially one must remember the title of the movie, "Clash of the Titans,"  this is actually a battle of the two Olympian gods, Hades, the older brother who feels cheated and tricked by his younger brother Zeus who relegated him to rule the underworld.


Warner Brothers released the"Clash of the Titans""Clash of the Titans" in 3D and as a regular viewing, I chose the regular viewing. My own personal feeling is that if a studio offers a film in 3d it is probably lacking in either story or character. What the "Clash of the Titans" 2010 version lacks in character development, it makes up for it in the story. Yes, this film is fast paced, yes the cuts are quick, but I am sure Louis Leterrier and Vincent Tabaillon were thinking more about pacing than character development. The story outline shows Perseus as a fisherman, an ordinary man, his parents are killed by Hades and Hades issues the “call to adventure” or “the hero’s challenge.” Immediately Perseus resists, saying, “I tie knots in nets, I am not a soldier.” Accepting the challenge, persuaded by Io, explaining that his only choice is to accept the challenge and seek the Stygian Witches (Grey Women in Greek Myth) for consul on how to kill the sea monster or Kraken. Perseus dawns armor and goes with Draco (King Arthur veteran Mads Mikkelsen) or this is the “meeting of the mentor stage”, as Draco offers to teach Perseus how to sword fight. Ending the first act Perseus crosses the “first threshold by crossing into a special world” when he and his group are attacked and must fight off the man who threw him, Perseus and his mother into the ocean, Acrisius id now Calibos, a creature of Hades. Now, Perseus and the group must travel the “road of tests” when first they must battle giant scorpions created by the Calibos’s blood dripping onto the sand. The next test is dealing with the Djin, sort magical Tuskin Raiders or a kind of mystical Sandpeople (a Star Wars reference) who also want to fight the gods and provide Perseus fast transportation on the backs of the giant scorpions. On the backs of giant scorpions Perseus, Draco and the remaining men must enter the Innermost Cave and learn from the three witches, who share one eye and one mouth between the three of them, how to find the Gorgon, Medusa and how to kill the Kraken. After learning that story of Medusa, they travel to the underworld, meet the ferryman, Charon the transporter of the dead to “meet the goddess” and then he must go through the “ordeal of Life and death struggle.” At this point the screenwriters switched up the “Hero Journey” a bit and instead of giving Perseus his reward they showed us a “refusal of the return” as offers him a place with the other gods, then “test of resurrection,” and finally, Perseus becomes the “master of two worlds” and receives his reward. The story outline is classic, proven, and it works.


We go to movies like the"Clash of the Titans" for the adventure. We go to see something amazing, and we go for the special effects. As I remember the original 1981 version, I never thought the characterization to be very well developed in that version, and I didn’t expect this version to be any different. Watching the trailer, I was promised special effects and action. What I expected from a film of this nature is grandiose adventure, grandiose music, and grandiose special effects. The music helped to dramatize the story but otherwise unmemorable. However, the special effects team did an excellent job in helping to tell this story. I am a fan of Ray Harryhausen’s animation. I learned from him, but the world is changing and new generations demand a vivid picture, special effects that are realistic and modern.


Did Louis Leterrier go a bit too far with the overly shiny Olympian gods? I think so. Is that a reason for not wanting to see this movie? I don’t think so. If you are looking for a story with originality, this movie is not for you. If you are looking for a movie to dazzle you for an hour and forty-five minutes of escapism, then yes go see this movie at the theaters to get the full effect of the bigness of this film.

Movie Data

Genre:  Action, Adventure, Drama, Fantasy
Year:  2010
Staring: Sam Worthington, Liam Neeson, Ralph Fiennes, Gemma Arterton and Mads Mikkelsen
Director: Louis Leterrier
Producer(s) Kevin De La Noy & Basil Iwanyk
Writer: Travis Beacham & Phil Hay
Rating: PG-13

Saturday, May 29, 2010

Prince of Persia: The Sands of Time - Aladdin Retold

Prince of Persia: The Sands of Time: Poster | A Constantly Racing Mind
"T he Prince of Persia" is the second film that I have seen this week that has to do with the subject of time travel.  Not counting the final episodes of "Lost" and "Flash Forward," time travel seems to be on the mind of Hollywood writers a lot these days.  "Shrek Forever After" is a story about what if this didn't happen, and so is "Prince of Persia: The Sands of Time."  The story is intricate, and the production is elaborate, and rated PG-13.  Prince of Persia is a film that the whole family can enjoy.  Starring Jake Gyllenhaal and Gemma Arterton, "The Prince of Persia: The Sands of Time" is a swashbuckling revival of the Errol Flynn era of filmmaking.  Based on the "Prince of Persia" video game series created by Jordan Mechner. He also serves as an executive producer and screen story contributor on the film.  Ultimately, this is a Jerry Bruckheimer ("Pirates of the Caribbean" films) production in collaboration with Disney and will receive the box office attention and respect that the two have earned.

The film starts appropriately enough with the lines, Long ago, in a land far away... We are told the story about the mighty Persian Empire in the time of King Sharaman (Ronald Pickup), who saves the life of Dastan (Gyllenhaal), a young street boy and adopts him into the royal family.  Like the fabled Aladdin, a diamond in the rough, the king sees how the boy stood up for his friend, and Sharaman realizing that this boy whose blood is not of his own, will not attempt to seize the throne from him by force or guile, raises his as his own.  Dastan grows up, as a prince along with Sharaman's two other sons Tus and Garsiv.  On the eve of laying siege of the holy city of Alamut, the king's eldest son, Tus (Richard Coyle), counseled by his uncle Nazim (Ben Kingsley), who recommends an attack on the city against Sharaman's order.  Nazim claims that the city is selling WMDs (swords, and steel-tipped arrows), to the enemies of the Persian Empire.  Tus, ordering the attack asks his younger brother, Garsiv (Toby Kebbell), to lead the assault on horseback.  As Dastan is younger than the two princes are, Tus tells Dastan that he is not ready yet. Dastan believes that a full on attack of the fortified walls is suicide and disobeys orders and instead scales the walls with the help of his bowmen.  Dastan opens the gates, sparing his brothers and their uncle extensive bloodshed, and the victory.  

Inside the city at the top of the castle is Princess Tamina (Gemma Arterton), guardian of the sacred dagger, entrusts it to a messenger, while trying to escape with it, Dastan tackles him and retrieves the dagger.  Hailed as a hero and The Lion of Persia, Dastan is celebrated by his brothers, his uncle, and his father, King Sharaman.  During the celebration, Dastan gives a prayer robe to his father as a gift.  Sharaman plans for Dastan to succeed him some day as the king and instead chooses an heir other than his own son.  However, while Sharaman wore a prayer robe given to him by Dastan, but provided by his oldest son, Tus, the robe starts burning and kills the king.  During the confusion that follows the death of the king, Dastan is blamed, so he and Princess Tamina make a hasty escape by going out through the window.

The time and setting of this story is far enough from present day to give the audience a mental escape from today’s world.  The blending of historical times, places and cultures, is a signal that there is no true historical context for this film.  The race-bending casting of Gyllenhaal, Arterton, Kingsley, and Molina in these roles gives the western audience a sense of familiarity that they can identify with.  The film is meant to entertain and not a historical or cultural documentary.

Prince of Persia: The Sands of Time: Gemma Arterton - Jake Gyllenhaal| A Constantly Racing Mind


The plot is similar to Disney's "Aladdin" movie; however, the comic relief is provided, not by Geni, but by Alfred Molina ("Spider-Man 2"), as Sheik Amar the anti-government, ostrich-racing, entrepreneur.  Steve Toussaint, as part of Sheik Amar's men, plays Seso a warrior tribesman reminiscent of actor Djimon Hounsou's character in Gladiator, Juba.  Like the Aladdin stories of old, the magic lamp is the deus ex machina, the god from the machine, the plot device whereby a god or a magic object solves the plot's problem.  In The Prince of Persia, the magic object is The Dagger of Time, the dagger, allows the user to travel back in time for a minute or two and change the past.  Similar to Aladdin, Princes Jasmine rejects Aladdin, and so does Princes Tamina rejects Dastan.  Eventually she realizes that Dastan is more than just a parkour junkie is, and that Dastan has the heart of a prince or a king.  Also, like Aladdin, "The Prince of Persia" is a story of greed and jealousy, Nazim, like Afar, covets the throne, will use treachery to gain it.  With production values are on par with other Bruckheimer, Disney releases like the "Pirates of the Caribbean," and the "National Treasure" series, "Prince of Persia: The Sands of Time" is breath taking, to say the least.  Gyllenhaal plays Dastan in a lighthearted manner, and Arterton has a better opportunity to show off some acting skills in this film, than she did in the "Clash of the Titans."  

Disney sends a subtle message, reaffirming their anti-drug stance, by showing the Hassansins (hash-smoking assassins) as pasty-faced and lesion ridden.  See kids -- don't do drugs they are bad for you.  The visual effects are stunning; however, the character development and story are thin, but there is plenty of action to keep an audience from looking at their watch and peeking at the time.  Harry Gregson-Williams's compositions are moving, while setting the tone and the mood. The melodies are somewhat memorable.  The Alanis Morissette tune "I Remain," is haunting and like a James Bond theme song, gives the film a voice that is separate from the images.  Director Mike Newell's vision for this film is correct, don't worry about the little things like character and plot development, go with the story, make it big, have fun, and make a lot of money.


Movie Data
Genre: Action, Adventure, Fantasy, Romance
Year:  2010
Staring:  Jake Gyllenhaal, Gemma Arterton, Ben Kingsley, Alfred Molina, Steve Toussaint, Toby Kebbell,Richard Coyle, Ronald Pickup
Director: Mike Newell
Producer(s): Jerry Bruckheimer
Writer: Boaz Yakin, Doug Miro, Carlo Bernard
Rating: PG-13
Running Time: 116 minutes
Release Date: 5/28/2010

Originally published on Associated Content by Robert Barbere on 5/29/2010