"Diabolical forces are formidable. These forces are eternal., and they exist today. In a world that scoffs at ghosts and laughs at the unusual, the Warrens deliver a contrary message. That message is this: The fairy tale is true. The devil exists. God exists. And for us, as people, our very destiny hinges upon which one we elect to follow."
I walked into "The Conjuring" hoping that this
film would scare the living daylights out of me. Something that would leave me emotionally
spent after the lights come up. "The
Conjuring” is the film that does exactly that.
Ignore the based on a true story tagline. This film is scary and will scare the crap
out of you. The film takes place in the
1970's and centers on the Perron family and their encounters with the dark
entities that inhabit their house. We
also view this story from the point of view of Ed and Lorraine Warren. The Warrens are two real-life demonologists
who have been investigating paranormal activity since the early 1950's. Devout Catholics, the two join forces to
fight the demons that have invaded the Perron family's home. The film stars horror genre veterans, Vera
Farmiga from "The Orphan," "Joshua" and television's
"Bates Motel" as Lorraine Warren. Patrick Wilson who starred in
"Insidious," "Passengers" and "Watchmen," as her
husband Ed. Ron Livingston ("The
Odd Life of Timothy Green") and Lili Taylor ("The Haunting") are
Roger and Carolyn Perron. They have four
girls, Cynthia, Christine, Nancy, April, and Andrea. "The Conjuring" is rated R for some
impressive and disturbing images. The film runs about 1 hour and 52 minutes.
I must admit that we have seen this film in one form or
another over the past forty-years. From
the "Amityville Horror," to the granddaddy of them all "The Exorcist,” what makes director, James Wan's ("Saw" & "Insidious") new take on the
paranormal horror genre different than the two classic films mentioned, is the
execution. Wan's vision of horror is
superb as he brings all the paranormal horror genre tropes together perfectly. The story is familiar, a normal family moves
into a house that they purchased for a bargain, investing every penny into the
house, and soon thereafter, strange things begin to happen. The year is 1971, and the place is Rhode Island. The opening shots of this film establish the
Warrens as Paranormal Investigators, Ghost Hunters, Cooks, or as they prefer,
Demonologist. They give lectures about
what they do, but they are portrayed as a God-fearing Catholic family who
cherish their only daughter, Judy (Sterling Jerins). The Perron family moves in to their formidable
looking home with wooden floors, creaky doors, loose floorboards, and of course,
a history. They do all this to the beat
of the Zombie's "She's Not There.” The
hairstyles are unmistakable. All the
guys wear long sideburns; Roger has the wide belt buckles, while Ed wears
polyester. Lorraine dresses in a frilly
dress that I think my mother used to wear, and Carolyn seems fond of a
housecoat. The kids look like kids in my
second grade class picture. Almost
instantly, the Things-That-Go-Bump-In-The-Night begins. Simple things like a bang on a wall or a
door, or pictures being knocked off a wall start the party off. The disturbances get worse. Carolyn appears daily with bruises on her
arms and back, and Cindy is a somnambulist.
Brothers Carey and Chad Hayes wrote the screenplay. The brothers hit every motif in the book,
from smells of rotting meat, birds crashing into the house, unexpected
other-worldly appearances, to weather that
changes from mild to severe in the middle of a scene. The first night, Sandy, the family's beloved
dog is found dead. James Wan's use of unique and weird camera angles punctuates the dread and urgency in each scene.
Composer Joseph Bishara
creates the creepy, dread-filled atmospheric environment with his deep tones of
the brass and the shrill shrieks of the violins. The tension rises as the temperature drops on
the set. Together, with the subtle
noises, the intense score and the shock images of the dead bring on the primal
fear of the characters that transfers directly to the audience. The Perrons call upon the Warrens out
of desperation. Ed is apprehensive, but
Lorraine is fearless. Lorraine, who has
psychic abilities, had a traumatic experience while assisting in an exorcism on
their last case. As Lorraine and Ed
inspect the house, they discover the dark entities that inhabit the
grounds. Upon the grounds lived a descendant
of Mary Eastey, a woman convicted and hanged as a witch. There is a lot going on in this film,
however, the film is evenly paced, and we aren’t bogged down on any one detail.
As the film progresses the suspense becomes even more
palpable. The tension rises and so does
the freaky factor. Done without the use
of CGI, Wan goes back to the days before computer graphics and does the effects
either in camera or manually. This gives
the atmosphere a certain sense of realism that the audience feeds on. The actors too, emote a sense of fear in a
way that can only happen when the ghoul is actually in front of you. Make no mistake, director James Wan doesn't
pull punches when it comes to jump scares.
James Wan uses the traditionally cheap jump scare effectively, and in
the most sublime way. Scream after
scream went the audience, as we reached the climax. At the end, our emotions spent, we all
laughed nervously on the way out of the theater, and joked with complete strangers at
which parts we jumped or screamed. We
enjoyed “The Conjuring” all in good,
scary fun.
Release date for "The Conjuring" is Friday July 19th 2013 in the US
Related
Movie Data
Genre: Horror, Thriller
Year: 2013
Staring: Joey King, Vera Farmiga, Patrick Wilson, Lili Taylor, Ron Livingston
Director: James Wan
Producer(s): Rob Cowan, Tony DeRosa-Grund, Peter Safran
Writer: Chad Hayes, Carey Hayes
Rating: R
Running Time: 105 minutes
Release Date: 9/13/2013
All images are courtesy of Film District
