Showing posts with label Jessica Chastain. Show all posts
Showing posts with label Jessica Chastain. Show all posts

Saturday, November 8, 2014

Interstellar: Christopher Nolan's Wrinkle In Time

Interstellar - Poster | A Constantly Racing Mind
W atching Christopher Nolan's new time twister, "Interstellar," one will find themselves engulfed in a cacophony of ideas, images, and concepts that within the first half-hour begins to form into a symphony of beauty and wonder. In this Science Fiction-Adventure film, Nolan takes, scientific concepts, and stunning visual effects, intertwining them with a compelling character story about love for humanity that transcends both space and time. Academy Award winner Matthew McConaughey (“Contact,” “Dallas Buyer’s Club”) stars as a former test pilot who must leave his family in order to find hope for humankind. Anne Hathaway (“The Dark Knight Rises”) joins McConaughey and two other scientists as they travel through a space-time anomaly that magically appears orbiting Saturn. They must search for a new planet that will sustain the human species as life on Earth is ending. John Lithgow, Matt Damon, Jessica Chastain ("Take Shelter," "The Debt," "Mama"), and Michael Caine, co-star in a film where Christopher Nolan pushes cinematic ideas of time and space further, rather than looking into the subconscious, this time he looks farther out into the reaches of space. Be prepared for an almost three-hour cinematic event that kids over 13 and adults will enjoy.
"We used to look up at the sky and wonder at our place in the stars, now we just look down and worry about our place in the dirt." ~ Cooper
Although no one mentions the timeframe for "Interstellar," one can probably surmise that the opening of the film is taking place somewhere in the second half or near the end of this century. In a sense, this is a post-apocalyptic film where the horrors of worldwide famine have ravaged the population to a more manageable number. War is no longer an issue, and the United States government no longer has a standing army. The screenplay by Jonathon and Christopher Nolan introduce us to the former test pilot, and now a reluctant, and failed farmer played by McConaughey who only goes by his last name, either Coop or Cooper. Perhaps Nolan named him after Gordon Cooper, one of the seven original astronauts in Project Mercury. Coop is the father of two children, a 15-year-old boy by the name of Tom (Timothée Chalamet), and a 10-year-old daughter named Murphy or Murph (Mackenzie Foy). Perhaps Christopher Nolan is referencing Capt. Ed Murphy of Edwards Air Force Base in California’s the Mojave Desert. As some allege that, the adage is named for him.


Interstellar - Timothée Chalamet, Mackenzie Foy), and Matthew McConaughey | A Constantly Racing Mind

The kid's mother is dead, and they live with Cooper's father-in-law Donald, played by John Lithgow. In the first thirty minutes, Christopher Nolan works to establish the family dynamic and the world they live in. We find that a benevolent “ghost” haunts Murph by knocking books off her shelves. Books in this film are the key to the knowledge of the universe. Cooper is a scientist and only accepts facts and not superstition. We learn quickly that in this world, in order to quash any hope or the funding of exploring space, society denies that the Apollo moon missions ever took place and was just a grand hoax. At Murph’s school, they have corrected books that explain that the United States never went to the moon, but faked it in order to, "cause the Soviet Union to bankrupt their economy and waste it on building rockets." I believe Nolan added this as one of his many tributes to the famed director Stanley Kubrick. Conspiracy theorist contends that Kubrick shot the Apollo 11 moon landing while filming his space epic. Also, that Kubrick's reason for not following Stephen King's original script for "The Shining," was that he filled it instead with Easter eggs crying out his complicity in the sham. In this world, the government shut down NASA about 10 years prior. The people of Earth are now a “caretaker” society. They focus on finding crops that resist blight, like wheat and rice, and now okra is gone. Corn is the last crop left, and that too is dying. Blight is a term that the Nolans, use to describe a world that is out of balance and nature has turned against humans. 
"We're not meant to save the world. We're meant to leave it," ~ Prof. Brand
The ever-present dust and frequent storms remind me of "The Grapes of Wrath," and for a few minutes, I was sure I was watching the Ken Burns documentary "The Dust Storm" with interviews of elderly survivors of the new depression caused by famine and drought. The film is, however, about how some unseemly interference by an otherworldly presence, allow Murph and her dad to discover that humanity hasn't given up on saving the world. After following some clues left in the dust, they start on an adventure that reunites Cooper with his former mentor, Professor Brand (Caine). Cooper and Murph discover that deep in the former home of NORAD, NASA survives. We also meet his lovely daughter, Amelia (Hathaway) who and a group of scientist who has been training to explore space for a world to colonize. Like the use of Cooper, as the name of the main character, the Nolan brothers prefer to stay with aerospace pioneers they refer to Amelia Earhart. Prof. Brand convinces Cooper to join a group of scientists including his daughter, who will follow in the footsteps of 12 astronauts who entered a space-time anomaly (wormhole) and exited on the other side to a new galaxy. The Lazarus mission identified three habitable planets. All his life, Cooper feels that he has a greater purpose beyond what he does now. The mission is to enter the wormhole orbiting Saturn, locate the planets where Lazarus mission astronauts, Miller, Mann, and Edmunds have sent positive feedback for sustainable life, check out the planets and report back to Earth.


Interstellar - The Black Hole Gargantua | A Constantly Racing Mind
“Love is the one thing that transcends time and space.” ~ Prof. Brand
Both Nolans explore the emotions of separation and abandonment. Cooper must make a decision to lead the mission and leave his children behind in order to save humanity or to stay and die and fight for survival with his family. As Brand tells Cooper, "We must confront the reality that nothing in our solar system can help us." He further ups the ante and tells him to, “...get out there and save them. We must reach far beyond our own lifespans. We must think not as individuals but as a species. We must confront the reality of interstellar travel." Brand has two plans to save humanity. Neither of them is an effort to save Earth. Plan A is to build a gigantic Torus that the refugees from Earth can travel in and follow through the wormhole. Plan B is the reseeding of a new planet with the fertilized embryos that they hope will multiply exponentially. The acting of the major characters in this film is exceptional. McConaughey, Hathaway, and Caine lead the cast in an emotional and visceral experience. The ones they love motivates each one of these three. Throughout the film, Caine’s character, Brand, recites a Dylan Thomas poem, like a mantra, or a litany in hopes that someone can forge forward where he can’t. It is during the first half of the film where Mackenzie Foy ("The Conjuring") shines as the young Murph. She embodies the wonder and the hope that children have, and when Cooper leaves for space, almost at a moment's notice, Foy displays a range of emotions on the opposite side of the spectrum – those of hurt, abandonment, and despair.  
"Anything that can go wrong will go wrong." ~ Murphy’s Law
Space is fraught with danger, but as Amelia Brand says, "there is no evil." Nature isn’t evil, but humans are. We will see the truth of this philosophy later. Disaster is what the four humans and two robots find out there. Two of the four humans are Red Shirts, there is no other way to put it. Nolan, for the most part, keeps to the no sound in space rule. Instead, Han Zimmer's epic score at times sweeps into strains akin to György Ligeti's version of "Lux Aeterna." Throughout the film, Zimmer's score resonates with emotion that accentuates but doesn't overpower the narrative. Astronauts Romilly (David Gyasi - "Cloud Atlas") and Doyle (Wes Bentley - "The Hunger Games") join Cooper and Amelia as they launch into orbit to rendezvous with the spaceship Endurance. Adding to the cast in a most spectacular way are the two robots TAR and CASE voiced by Bill Irwin ("Law & Order: Special Victims Unit") and Josh Stewart ("The Collector"), respectively. If the homage to Stanley Kubrick's "2001: A Space Odyssey " isn't apparent to you, then the monolithic structure of these two robotic life forms should make it apparent. In addition, they also capture the essence of HAL but in a more cheerful and happier type of Artificial Intelligence. Programmable with truth and humor spectrums, both TAR and CASE are essential to the plot. 


Interstellar - Anne Hathaway and Matthew McConaughey | A Constantly Racing Mind

For me, the big surprise was Matt Damon as Dr. Mann. Amelia proclaims that he is "the best of us." I don't want to spoil the film so I will say no more about him and the planet he is on. I will say that both of the planets that our explorers visit are amazing cinematically. Nolan displays many of his influences throughout the film, like having Matthew McConaughey play a man of science whose story arc moves him closer towards a more spiritual outlook. We remember McConaughey, as Jodie Foster’s love interest and a man of faith in the 1997 film “Contact,” telling Foster’s character that science can’t prove everything, like the concept of love. As in "Inception" Nolan plays with the relativity of time. Because, as we know, the closer one gets to a black hole, the time has a tendency to stretch. For example, as our group of intrepid explorers travel closer to the first planet, for every seven years spent on the Endurance as it orbits around the planet, the people down below spend only an hour. So for some of our characters, they age differently than others. Jessica Chastain plays the older Murphy, who takes on the weight of saving humanity after Brand dies. Like Meg in “The Wrinkle in Time,” she becomes the hero of this story as she searches for her missing father.

This is a big movie filled with grand concepts of ecology, cosmology, metaphysics, humanism, and sacrifice, but ultimately this is a love story. The love of a parent for their children, the love between a man and a woman, and a man’s love for all humanity. Christopher Nolan knows that it is ambitious to reach for galaxies far, far, away, but to not do so, sells himself, and his viewers short as well. Behind the camera in place of Nolan regular Wally Pfister, is the Dutch cinematographer Hoyt Van Hotelman ("Let the Right One In," "The Fighter," "Her"). Nolan is a proponent of using real film, rather than a high definition video in his work, and it shows. The camera work is more utilitarian rather than sweeping and grandiose as in the works of David Lean. However, Nolan’s visual effects crew did more than an outstanding job in creating the black hole. California Institute of Technology’s (Caltech), Kip Thorne, a theoretical physicist and the inspiration for “Interstellar” had a direct hand with the mathematical models that Nolan’s effects team used to render “Gargantua.” 

The effects are more in line cinematically with Stanley Kubrick, but perhaps a bit more comprehensible. There is a lot of exposition in "Interstellar" as the characters talk about the loss of hope, loss of family, loss of courage, and plans for humanity's future. But don't worry; if you want action, there is plenty of it. From visiting a world covered in water, to an icy frigid planet, to the boundlessness of space, Christopher Nolan keeps the pace moving, he even adds a disaster on the Endurance, to up the drama and heightens the tension. Unlike Alphonso Curon's "Gravity,” we only have a few minutes in space with intimate contact with our main character as he tumbles through the void. For the socially conscious, Nolan features an ecological disaster that prompts visions of the apocalypse for the metaphysically inclined. I would be lying if I said that "Interstellar" is perfect, it isn’t. Nevertheless, those minor imperfections uplift this story of death and renewal to stand as one of Christopher Nolan's masterpieces.

Related



Movie Data
Genre: Action, Adventure, Mystery, Sci-Fi 
Year:  2014
Starring:  Matthew McConaughey, Anne Hathaway, Jessica Chastain, Michael Caine, Mackenzie Foy 
Director: Christopher Nolan
Producer(s): Christopher Nolan, Lynda Obst, Emma Thomas
Writer: Jonathan Nolan, Christopher Nolan
Rating: PG-13
Running Time: 169 minutes
Release Date: 11/7/2014

Thursday, October 2, 2014

Interstellar: This World Is A Tragedy

Interstellar: Poster| A Constantly Racing Mind.
Before you know it we will be heading into November and into theaters to witness Christopher Nolan's great space adventure, as we watch as humankind ventures into the far reaches of the holy void of space.  Here is another "Interstellar" trailer to feast your eye upon and tap your foot impatiently waiting for October to end. 

Academy Award Winner Matthew McConaughey,  and Anne Hathaway from "The Dark Knight Rises" team up to travel billions of miles in search of a new home for humanity.  Since the industrial revolution, human beings pollute the Earth at a rate that grows exponentially each year. With certain gases in the atmosphere blocking heat from escaping, other gasses that linger in the atmosphere do not change in temperature and 'force' climate change.  From ice melting at the polar caps, to drought and dust storms throughout the world, it is clear that we are quickening our own doom.  The Earth as McConaughey's character Cooper says in the the film, "It's been telling us to leave for a while now."

In the trailer below we see Cooper (McConaughey) finding a crashed drone and discusses with his daughter Murph (Mackenzie Foy) what to do with it. Next we see images of the Earth as seen from a rocket taking off and jettisoning one of its rocket stages. Similar to many scenes we've seen on TV with the Apollo missions and in films like "Apollo 13" with Tom Hanks. "Your daughter's generation will be the last to survive on Earth.," says Michael Caine's character. Images of our solar system display while a soft piano plays over a fast beat of violins playing in the background as Cooper and Brand (Hathaway) prepare to enter the wormhole and leave our galaxy. Their rocket ship descends toward a planet and next we find them walking on a new planet. Next, we see some amazing scenes of this alien other world. Cooper exclaims, "Our mission does not work if the people on Earth are dead by the time we pull it off."  Then we see a shuttlecraft landing on water and both Brand and Cooper in the water. At the end, Cooper declares that humankind will "...find a way, like we always have."



 Here is the synopsis from IMDB and Wikipedia:
A group of explorers make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage. Among the travelers is a widowed engineer (McConaughey) who has to decide to leave behind his two children to join the voyage with the goal of saving humanity
Look for Christopher Nolan's "Interstellar" is due out on November 7, 2014 in the United States.

Related

Movie Data
Genre: Action, Adventure, Mystery, Sci-Fi 
Year:  2014
Staring:  Matthew McConaughey, Anne Hathaway, Jessica Chastain, Michael Caine 
Director: Christopher Nolan
Producer(s): Christopher Nolan, Lynda Obst, Emma Thomas
Writer: Jonathan Nolan, Christopher Nolan
Rating: PG-13
Running Time: 169 minutes
Release Date: 11/7/2014

Thursday, August 28, 2014

Interstellar: Do Not Go Gentle Into That Good Night

Interstellar: Banner | A Constantly Racing Mind

Warner Bros. released a new trailer for Christopher Nolan's new Science Fiction Space Adventure titled "Interstellar."

 Here is the synopsis:
A group of explorers make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage. 
Based on a script by his brother, Jonathan Nolan, and some additional elements that Christopher Nolan fleshed out, "Interstellar" is looking pretty epic at the moment.  The film stars  Academy Award Winner Matthew McConaughey of last year's "Dallas Buyers Club", Anne Hathaway from Nolan's "The Dark Knight Rises" as astronauts looking for a new planet to colonize.  

In the trailer, Michael Caine quotes Dylan Thomas as McConaughey says goodbye to his children, and promises them that he will return after his mission of finding a new planet to live on.
Do not go gentle into that good night,

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

~ Dylan Thomas, 1914 - 1953


Brand; Couldn't you've told her that you are going to save the world?Cooper: No, when you become a parent, you want to make sure your children feel safe.
Christopher Nolan's "Interstellar" is due out on November 7, 2014 in the United States.

Related

Movie Data
Genre: Action, Adventure, Mystery, Sci-Fi 
Year:  2014
Staring:  Matthew McConaughey, Anne Hathaway, Jessica Chastain, Michael Caine 
Director: Christopher Nolan
Producer(s): Christopher Nolan, Lynda Obst, Emma Thomas
Writer: Jonathan Nolan, Christopher Nolan
Rating: PG-13
Running Time: 169 minutes
Release Date: 11/7/2014

Dylan Thomas poem: From The Poems of Dylan Thomas, published by New Directions. Copyright © 1952, 1953 Dylan Thomas. Copyright © 1937, 1945, 1955, 1962, 1966, 1967 the Trustees for the Copyrights of Dylan Thomas. Copyright © 1938, 1939, 1943, 1946, 1971

Wednesday, July 30, 2014

Interstellar: Nothing In this Solar System Can Help Us

The secretive Christopher Nolan has been trickling out a few trailers since late last year.  Details of the plot are scarce but IMDB lists the synopsis as:
A group of explorers make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage. 
Based on a script by his brother, Jonathan Nolan, and some additional elements that Christopher Nolan fleshed out, "Interstellar" is looking pretty epic at the moment.  The film stars  Academy Award Winner Matthew McConaughey of last year's "Dallas Buyers Club", Anne Hathaway from Nolan's "The Dark Knight Rises" as astronauts looking for a new planet to colonize.  

At Edwards Air Force Base in California, Chuck Yeager broke the sound barrier on  October 14, 1947.  On July 21, 1969 an American set foot on the moon. In December of 1972, was the last time a human stood on the moon's surface.  On July 8, 2011 the Atlantis was the last shuttle flown by the United States and the end of the American Space Shuttle program. The Americans specifically, and mankind in general, lost their pioneering spirit.  The pioneer spirit that built this land is gone.



Something is wrong with the planet Earth.  That much is obvious in the next trailer.  With massive climate change, food and other resources are becoming scarce.  After finding an opportunity to explore worlds beyond our own solar system, McConaughey's character must leave his children behind and save mankind.  


We're not meant to save the world, we're meant to leave it.  We must reach far beyond our own lifespans.   We must think, not as individuals, but as a species. We must confront the reality of interstellar travel.

"We used look up in the sky and wonder at our place in the stars.  Now we just look down and worry abour our place in the dirt."

Christopher Nolan's "Interstellar" is due out on November 7, 2014 in the United States.

Related

Movie Data
Genre: Action, Adventure, Mystery, Sci-Fi 
Year:  2014
Staring:  Matthew McConaughey, Anne Hathaway, Jessica Chastain, Michael Caine 
Director: Christopher Nolan
Producer(s): Christopher Nolan, Lynda Obst, Emma Thomas
Writer: Jonathan Nolan, Christopher Nolan
Rating: PG-13
Running Time: 169 minutes
Release Date: 11/7/20144

Friday, July 5, 2013

The Debt ~ a Review

The Debt - Sam Worthington | A Constantly Racing Mind

Sometimes when you work hard and plan, and plan and practice to perfect an operation, the best - laid plans do not go as planned. That is the case to the characters in John Madden's ("Shakespeare in Love," "Proof") English version of "The Debt." Assaf Bernstein, Ido Rosenblum wrote and directed an Israeli version back in 2007. Madden, working with film veterans Helen Mirren ("The Queen," "Red") and Tom Wilkinson ("Michael Clayton," "The Patriot") put together a suspense thriller that takes places in two different decades about a group of people who made a mistake and for over 30 plus years have lived with that mistake. In addition, like a former President of the United States covered up a mistake with a lie. Evenly paced and told in two different times - periods, the mid 1960s and in the late 1990s. As young Mossad agents sent to Berlin to capture a former Nazi doctor and bring him to justice. If you like suspense and good solid acting then you will enjoy "The Debt." 

In 1997 Sarah Gold, the daughter of former Mossad agent Rachel Singer (Mirren) has written a book about her mother, her father and their partner who in the 1960s, while in their mid to late 20s were operatives in a mission to bring the Nazis to justice. National heroes, their story was now being told for all to hear. A problem arises as the time for the book's debut arrives, hoping to have all three of the original spies attend her daughters book release, the third member of the team, David Peretz (Ciarán Hinds), suddenly walks in front of a bus and is killed instantly. As the story unfolds and as we jump from the late 90s back to the mid-60s, we discover details of that mission so many years ago. Playing the three spies in their youth is Jessica Chastain ("The Tree of Life," "The Help") as Rachel Singer on her first mission in the field. Sam Worthington plays Peretz, idealistic and acts as Rachel's husband during the operation. Stephan Gold is the leader; Marton Csokas ("The Bourne Supremacy," "Æon Flux") plays the oldest of the three, who turns 29 during the beginning of the mission. During the war, Dieter Vogel (Jesper Christensen) was known as Surgeon of Birkenau. Like Mengele, Vogel did gruesome experiments on prisoners. Now a practicing physician under the name of Bernhardt in the city of Berlin, the group's job is to capture him, and smuggle him out of the country and back to Israel to be tried in world court for crimes against humanity. 

The Debt - Jessica Chastain | A Constantly Racing Mind
Each of the characters played by both sets of actors give off a sense of weight and share the burden of guilt for their sin. During the flashbacks between "the present" and the time of their mission, we see how they bonded, how they trained, how they lived, and how they decided together to lie when Vogel escapes from their custody. We see how Rachel and David are attracted to each other, and ultimately how Stephan takes control of the situation, and of Rachel. Knowing that Vogel will not dare resurface the three concoct a story where Rachel is the hero by killing Vogel as he tried to escape. Returning to Israel with their story of heroism the three lived out their lives dealing with the guilt in their own ways. David, the quiet one, internalized the guilt, it ate away at him, debilitating him, and in the end, he decided to commit suicide. Stephan continued his career with Mossad, even after a bomber blew off his legs. It is he who convinces Rachel that after all these years later, that she must step forward and become the hero she never really was. Helen Mirren gives a fantastic performance as a woman whose daughter is proud of her for the wrong reasons. Wilkinson shows the drive and determination as the elderly spy that Csokas displays with intensity as a young man in charge of an important mission. Jessica Chastain plays the younger Mirren who is scared, determined, and at the same time brave. Sam Worthington shines as the sensitive and quiet member of the team, whos parents were killed in the concentration camps. You see the sadness in his eyes and you believe him as a survivor. Ciarán Hinds ("Lara Croft Tomb Raider:" "The Cradle of Life") looks haggard, and worn from the years of knowing the truth and not being able to be free of the lie. Director Madden and Editor Alexander Berner cut the film together with short scenes to keep the pace moving. Slowing from time to time for the audience to catch some details, Madden focuses on subtle details giving us some clues in order to keep us on our toes. Berner's cutting between the different times was done well, without leaving the audience dazed and confused. 

I must say that when it comes to playing a Nazi, Jesper Christensen does an excellent job, portraying Vogel as Olivier did as Szell in "Marathon Man" (1976). Like Michael Myers, or Jason Voorhees, Christensen keeps coming back like a bad penny. Ultimately, we all pay for our sins. History is written by the winners, however, eventually, there comes a day when we can't hide from the things that we've done. "The Debt" is about atonement, and about freeing yourself from your sins. 

I think you will enjoy the 113 minutes (1 hour and 53 minutes) you spend watching "The Debt" is well worth your time. The MPAA rates the film R, but the violence and sex are at a minimum. What is at the maximum is good suspense, good acting, and a good story.






Movie Data

Genre:  Drama, Thriller
Year:  2010
Staring: Helen Mirren, Tom Wilkinson, Ciarán Hinds,  Jessica Chastain, Marton Csokas, Sam Worthington
Director: John Madden
Producer(s): Eitan Evan, Eduardo Rossoff , Kris Thykier, Matthew Vaughn
Writer: Matthew Vaughn, Jane Goldman, Peter Straughan, Assaf Bernstein, Ido Rosenblum
Rating: R
Release Date: 8/21/2011
Running Time: 113 minutes

Originally posted on Yahoo Voices on 1/26/2012

Saturday, April 27, 2013

Take Shelter: A Review

 "…listen up, there's a storm coming like nothing you've ever seen, and not a one of you is prepared for it."


Today, when someone has dreams of impending doom we tend to think the person is, if not insane, then not quite right in the head. However, long ago, if you had strange dreams about an upcoming storm or the end of the world, you may be crazy or you may be a saint. When John wrote about his revelations, early Christian church fathers took his writings and made them the last book of the New Testament. When Noah told friends and family about an upcoming flood, his neighbors thought he was crazy, but they were wrong. Early civilizations had a term for those who saw visions; they called them Shamans, today we call these people delusional. "Take Shelter" is the writer and director Jeff Nichols' second film since his critically acclaimed 2007 offering titled "Shotgun Stories." "Take Shelter" is about a man who in the prime of his life is questioning not only his purpose in life as a husband and father but also his sanity. 


Michael Shannon ("Bug," "Shotgun Stories," Boardwalk Empire") stars in "Take Shelter" as Curtis LaForche, a young family man who lives in rural Ohio. Curtis's wife Samantha, is played by Jessica Chastain ("The Debt," "The Tree of Life") who, like any wife and mother, is the rock that holds their home together. Their child Hannah (Tova Stewart), is about four-years-old and is deaf. Going about his day as a construction worker, Curtis starts to slowly, and insidiously focus on storms on the horizon. The flat landscape provides a beautiful panorama view of ominous clouds forming on the horizon. Director Nichols slowly and carefully builds a sense of foreboding and impending doom throughout the film not with frenzied camera shots and quick editing, but with long shots of Shannon's face and the look of worry, conflict, and deep-rooted fear. Couple these scenes with vivid nightmares that Curtis experiences of people covered in this oily rain substance trying to kill him. Curtis even envisions his dog, Red, turning on him and practically biting his arm off. As these dreams occur, his obsession with preparing his storm shelter grows, while Curtis withdraws into himself as he contemplates his own mental state. 


As it turns out when Curtis was 10 years-old his mother (Kathy Baker) had to be committed to a mental institution. Of course, Curtis is worried that he is going down the same path. Nightmares, panic attacks, lack of sleep, visions of the horrible storm that rains an oily substance that drives people mad. Of course, he is worried. Michael Shannon plays Curtis in such a believable way, that the audience will feel his worry, his fear, and ultimately his shame. Jessica Chastain plays his wife Samantha that is also believable. A stay at home mom, Samantha's primary role is to care for and teach their daughter how to sign and fit into this world. She also sells her needlecraft and sewing on the weekends to help financially. The LaForches seem to be a typical modern mid-western family whose goals are the simple things in life, like paying their bills and trying to get a surgery for their daughter so that she may have a chance of hearing. Of course, Curtis's obsession gets in the way of all this. 


This is not an action adventure thriller. "Take Shelter" is a film for those who like to see the actor's emotions, feel their feelings, and watch a story unfold while they reflect what they may do in the main character's place. The film builds up quietly to a point before the end where the family is at Lion's Club dinner, a former co-worker (Curtis is fired from his job) antagonizes him about his obsession. After taking a few licks from his former friend, Curtis erupts in a fit of rage and tells all present that he is not crazy and to "…listen up, there's a storm coming like nothing you've ever seen, and not one of you is prepared for it." 


Jeff Nichols's story is clever and although I'm not a "doomsday prepper" myself, however, it is not hard to imagine that there is something bad on the horizon. After all, something has to give and 2012 is the year for it. This is a great film for those who like stories about everyday people who must rise above the ordinary.


Movie Data

Genre: Drama, Thriller
Year: 2011
Starring: Michael Shannon, Jessica Chastain
Director: Jeff Nichols
Producer(s): Tyler Davidson, Sophia Lin,
Writer: Jeff Nichols
Rating: R
Running Time: 121 minutes
Release Date: 11/10/2011

Originally posted on Yahoo Voices on Feb 23, 2012

Sunday, January 27, 2013

Mama - The Creepy Factor


Mama: Poster | A Constantly Racing Mind
We all have to start the big leagues of film making somewhere, and for the director of "Mama," this film is a great place to start.  Based on his own short film, director Andres Muschiett, while under the watchful eye of Executive Producer Guillermo Del Toro, has brought us a horror film, that although is not perfect, does deliver what we go to see films like this for, shock and fear.  Like other films, that Del Toro has attached himself to, this one also involves children, as well as a mysterious, and typically malevolent being that has a hold on two young girls.  The film stars Nikolaj Coster-Waldau ("Game of Thrones"'), and Oscar Nominee Jessica Chastain ("Zero Dark Thirty," "Lawless," "The Help,"  and "The Debt") and two young actresses that just exude an aura of creepiness. "Mama" is about two young children left in a cabin in the woods for five years, and have finally reentered society. However, they brought something back with them.  Like other recent horror films, "Mama," is rated PG 13.

The first act begins about five years ago in about 2008 during that horrible economy we all remember like a bad memory, with the father of the two young girls killing his financial partners and then his ex-wife. The girls, waiting in their pink girly innocently decorated bedroom, unaware of the violence going around them, finally see their father, who in a frenzied state, takes them on a wild ride into the snow covered mountains where they finally end up crashing their car off the side of a cliff.  Finding shelter in a run-down cabin, the father plans to commit murder-suicide.  At that moment, a hideous, dark, mysterious creature whisks the father away and prevents him from committing a horrible crime. A note here to the viewer;  the girls, played by two or three actresses each,  Victoria the oldest is played first as a three year-old by Morgan McGarry, and by then by Megan Charpentier ("Resident Evil: Retribution," "Red Riding Hood") and the younger child, Lilly, as a baby is played by twins Maya and Sierra Dawe. As a six year-old Lilly, she is played creepily by Isabelle Nélisse. Horror movies, especially ones where Guillermo Del Torro is involved, seem to want to capture an innocence lost, or in this case, the bonds between a child and the need for a parental figure in their life.  In 'Pan's Labrinth', the loss was a loving father, in "Don't Be Afraid of the Dark," the loss is of a loving mother figure, and here in 'Mama,' the figure missing is the mother.


Mama: The Ghost of Mama | A Constantly Racing Mind

"Mama's" second act starts five years later in the present day, and the children's uncle Lucas (Coster-Waldau plays both the uncle and the father, Jeffery), and Annabel Chastain), his dark, bass playing, hard rock, tattooed girlfriend take in the two feral children.  Lucas and Annabel are both artists whose lifestyle is not necessarily conducive to child rearing  are also having their own fears about starting a family.  The girls, as part of their transition back into civilization, become the research subjects of Dr. Gerald Dreyfuss (Daniel Kash - "Aliens"), a child psychiatrist whose motives seem questionable at times.  Especially when he agrees to support Lucas and Annabel in a custody lawsuit against Jean, the aunt of the girls dead mother.  Dreyfuss wants complete access to the kids for his research project and later a book, in return he offers Lucas and Annabel the All-American suburban setting -- house and all. 

Mama: A Family Reunited | A Constantly Racing Mind
What becomes apparent in this act is the fact that although the girls are adjusting out of their feral ways and acting more human, Lilly, is struggling with her new settings and is downright strange.  Older sister, Victoria, who has had bad eyesight since she was three, and had lost her glasses during the car crash with her dad five years earlier seems torn between her loyalties to her uncle and her new mommy figure Annabel, and the mysterious entity the girls call Mama. 

The first and second acts do their jobs very well, they introduce the plot, build the characters, and shows us the need for the children to live normal and happy lives. We see Lucas malevolently man-handled and who ends up in the hospital, leaving the child rearing to Annabel.  Annabel, a person who not only doubts herself as a mother figure, but also doubts herself as an adult.  Clearly in her thirties or quickly approaching thirty, she struggles with her inability to bond with a child and clearly sees this as a reason why she an Lucas have not started a family. Because of the quick pace, that director Muschietti and Editor Michele Conroy keep through the first and second acts we don't explore Annabel's emotions too deeply and perhaps that is what keeps this film from going a level deeper.
'Mama's' third act continues at a wild pace but quickly slows down and allows the reader to catch his or her breath.  The climax of "Mama" is, in my opinion, mixed.  There are parts of this film that seem inconsistent in both story and in the acting.  However, in the third act is where the film is made or unmade.  We come to understand the relationship the girls have with Mama, we see certain things that explain who this creature is and its need for the children, and Chastain's character’s need to find the mother within and save the children.  There is a Lovecraftian notion to never show too much of the monster, just hint at it.  Muschietti does an excellent job of this for the first two acts, using real life creatures and makeup to display his horror, however, it is at the end that he filmmaker tend to rely too much on CGI to tell the story for them.  I enjoyed a great deal of the one hour and forty minutes, and although the ending was not a complete letdown, I did wish for something  a bit more.


My personal notion is that if you are going to make a horror film, go all the way and make it R-rated and pull out all the stops.  Hell, even if it is cheesy and gory take out all the stops.  'Mama,' on the other hand is rated PG-13, however, "Mama" does provide the audience with the thrills, the shock, the horror, and catharsis that we go to see films like "Mama.".

Movie Data

Genre: Horror
Year:  2013
Staring: Jessica Chastain, Nikolaj Coster-Waldau, Megan Charpentier, Isabelle Nélisse, Daniel Kash
Director: Andrés Muschietti
Producer(s): J. Miles Dale, Barbara Muschietti
Writer: Andrés Muschietti, Barbara Muschietti, Neil Cross
Rating: PG-13
Running Time: 100 minutes
Release Date: 1/18/2013