Showing posts with label Sam Raimi. Show all posts
Showing posts with label Sam Raimi. Show all posts

Saturday, April 6, 2013

Evil Dead


"Everything's gonna be fine? I don't know if you noticed this, but everything's been getting worse... every second."


The first thing I want to tell people about the new 'Evil Dead' film, is to throw out all you remember about Sam Raimi's cult horror classic and just start over.  Fede Alvarez's remake is much darker, gorier, and lacks the cheesy schlock that made Raimi's original the classic we remember -- so just forget the original.  What Uruguayan director Fede Alvarez does in this new version is very up to date with what twenty-first century  audiences are expecting in a modern horror film.  The producers of 'Evil Dead' are Sam Raimi, Bruce Campbell, and Robert G. Tapert.  Campbell and Tapert were both actors in the original version, thus leaving their 'stamp of approval' on this remake/re imaging.  The basic plot and spirit of the original is the same, five college age kids tormented by a demon while out in a cabin in the woods.  The film is about an hour and a half and is rated 'R' - as I think any good horror film should be.


What makes this version stand out is the sheer amount of brutality to the violence.  I am not sure if it is the fact that special effects are just much better, or that the quality of the film stock, but this film just feels different, grittier, meaner, and soulless.  The story opens with a girl, bloody, tattered running through the woods, scared, and hunted.  Trapped, hooded, and tied she finds herself in a cellar tied to a post.  Dead cats hang everywhere, an old witch-woman speaking in a foreign language is reading from an ancient tome with horrific pictures.  The girl, screaming for help is de-hooded and the only person she recognizes in the dark group is her father.  Apparently, like Louis in 'The Last Exorcism' he needs to kill his daughter in order to save her soul.  Dousing his daughter with kerosene , he lighting her up, then he shoots her with a shotgun, but not before his precious innocent daughter pulls a Regan MacNeil and spits out blasphemies that only a demon should repeat.


Borrowing a shot from director John Erick Dowdle's beginning of ‘Devil,’ he uses the concept that the world is upside down.  The camera slowly rights itself and we find ourselves tracking a Jeep while it winds down the lonely road amidst the beautiful forest backdrop. This shot reminds me of Kubrick's opening shot in 'The Shining.'  Arriving at their destination, several hours late are David and his girlfriend, Natalie.  'Evil Dead' stars Jane Levy as Mia - a young woman who has lost herself to drugs and is trying to clean herself up.  Shiloh Fernandez ('Red Riding Hood,' 'Cadillac Records ') is her older brother David who didn't seem to be around much while Mia was caring for their dying mother.  Lou Taylor Pucci ('Horsemen,' 'Carriers'), is both the smart one and the fool, Eric.  Naomi, a registered nurse, is Mia’s friend who is attempting to intervene with Mia’s drug addiction, and is played by Canadian actress, Jessica Lucas ('She's the Man,' 'Cloverfield').  Rounding out the cast as David's girlfriend is Elizabeth Blackmore as Natalie.  Oh yes, there is also 'Grandpa' David and Mia's German shepherd.


As it turns out, Mia has overdosed on heroin a couple of times and was clinically dead for a few minutes the last time.  Eric and Naomi have decided that the only way their friend Mia is going to get better is to force her to go cold turkey and they plan to hold her captive at the cabin during the drying out process.  David, who left home years ago and couldn't face his mother's death isn't so sure that this intervention is a good idea.  Naomi, the nurse is steadfast on the idea.  This new version uses the 1981 version more of a guide rather than a strict scripting of events.  During one of Mia's withdrawal fits, she screams that the place reeks of something rotten.  No one believes her until the dog starts sniffing at a rug covering the obligatory cellar trap door.


Now, those of you who don't go see horror films on a regular basis have a tendency to wonder WTF is wrong with these characters in these types of films.  Why do they do the stupid things they do?  Why do they open books tied in barbed wire and upon finding in BIG RED LETTERS words like 'DO NOT TOUCH THIS BOOK,' 'DON"T READ' and stuff like that, they go ahead and read the damn book.  Didn't they see 'Cabin In The Woods'?  After finding the crispy dead cats hanging in the cellar and the instruments of sacrifice, Eric finds himself drawn to the book that the old witch was reading.  Apparently, the people at the beginning of the film 'borrowed' the cabin to do their exorcism on the nameless girl, as the cabin 'looked as if someone broke in and had a party.’  Sounding out some words found in the book, Eric reads aloud something that sounds similar to ‘hakuna matata monsanto yada yada yada’, thus summoning the evil spirit from the woods.  


Although the actors all do their best to bring something to their parts they are severely limited by a script that only requests that bring out only one dimension of their characters.  Naomi, for instance is pretty much a 'Red Shirt,' in 'Evil Dead,' so much so that I don't know why she even was given a name.  Her death on the other hand was brutal, bloody, and shocking.  Same for the character of Natalie, her character only comes alive when she dies.  David and Eric have a little more depth to their parts but not much.  The real star is of the movie is Mia.  Like Bruce Campbell's 'Ash' character from the original, she is the only one who really goes through a change in character.  To be honest, Jane Levy's depiction of the possessed Mia lovingly licking the edge of a utility knife gave me the creeps.  David's character 'grows' a bit, but it doesn't play as truthful as does Mia's. Eric, we will note is part scholar and part fool.  Actually his character is probably the most interesting one. He guides the audience with his limited knowledge of the demonic book, he shows us the ghastly pictures of demonic purification. If anything, Eric’s role is similar to Mordecai from ‘The Cabin In The Woods,’ that of a harbinger of doom. His role turns more comical as he is the constantly being used as a human pincushion and keeps coming back for more.  


'Evil Dead' has plenty of suspenseful moments enhanced by a score composed by Roque BaƱos that is deep and ominous.  Sustaining the notes, that the orchestra plays to stretch out the suspense to a point that makes one cringe.  Aaron Morton's cinematography is crisp yet dark.  The makeup and prosthetics are just wrong in a good way.  I am not sure if it was a budget thing but this film seems a bit rushed.  Bryan Shaw's editing is quick and frenetic that leaves the audience breathless.  Perhaps that was on purpose.  Horror fans watching this film will notice Alvarez's nods to classic horror films from the past that make us feel at home.  Non-horror fans will find this film repulsive, vulgar, and just plain sick, but that is why we horror fans go see 'Evil Dead.'

Movie Data

Genre:  Horror, Thriller
Year:  2013
Staring: Jane Levy, Shiloh Fernandez, Lou Taylor Pucci, Jessica Lucas, Elizabeth Blackmore
Director: Fede Alvarez
Producer(s)  Sam Raimi, Bruce, Campbell, Robert G. Taper
Writer: Sam Raimi, Fede Alvarez
Rating: R


© Robert Barbere

Tuesday, June 15, 2010

Drag Me to Hell: Director Sam Raimi, Not a Horror Director

Sam Raimi by Gage_Skidmore | A Constantly Racing Mind
Sam Raimi by Gage_Skidmore
Sam Raimi is a multi-talented director who can direct Horror, Fantasy or any genre that Mr. Raimi wants to, and he can do it well.  With Guillermo Del Toro's departure from "The Hobbit," Sam Raimi is one of those directors that Hollywood insiders are buzzing about taking over the reigns.  Raimi's outstanding success with the "Spider-Man" series leaves him as one of the top contenders for the fantasy genre prequel to Jackson's "Lord of the Rings" trilogy.  Raimi, also pulled out of directing a fourth "Spider-Man" leaving Sony and the film's new director, Marc Webb to come up with a reboot of the franchise, that I think is too soon for the audience to forget Toby Maguire and Kirsten Dunst's faces as Peter Parker and Mary Watson.  Raimi, on the hand is bringing the Warcraft universe to theaters scheduled for a release sometime in 2013.  In a press release dated July 22, 2009, Blizzard Entertainment, Inc. announced that the reason they picked Raimi was because, "... in the course of his career, clearly demonstrated a genius for developing and adapting existing fictional universes for mainstream audiences while staying true to the spirit of the original content."

Horror and Fantasy 

Starting your career making horror films tends to stereotype a director early in Hollywood.  People have a tendency to go with stereotypes until proven otherwise.  Returning to his roots in 2009's "Drag Me to Hell," fans thought Raimi was back in the horror directing business.  "Drag Me to Hell," starring Alison Lohman as a woman cursed to be dragged to hell by a Dybbuk, a devil-like creature.  Fans and critics alike chanted "Evil Dead," while watching Drag Me to Hell, and considering it his best horror film since The "Evil Dead" trilogy.  I tend to agree.

The 51-year-old writer, producer, actor, and director works in all genres well, but does an even better job with the fantasy genre than anything else.  Starting with the classic "The Evil Dead" in 1981 the then 22-year-old director already had several short films under his belt.  Three short films dealing with subject of murder ("Murder" - 1977), horror ("Within the Woods" - 1978), and more horror ("Clockwork" - 1978), gave Raimi a resume that would eventually get him the financing to create the film that got the young director noticed.  Staying busy between the release of "The Evil Dead" in 1981 and his break away from the horror genre film Crimewave in 1985, Raimi was busy appearing in small roles like 1985's "Spies Like Us," the Chevy Chase, Dan Akroyd spy spoof, and in buddy Josh Becker's Cleveland Smith: Bounty Hunter in 1982.  Returning to his horror-child in 1987, Raimi wrote, produced and directed Evil Dead II, providing even more horror and adding some comic slapstick to the Dead franchise.  Always with his friend Bruce Campbell, Raimi continued in 1992 with Army of Darkness, taking Campbell back to the Middle Ages for cheesy fun.  Financially, The Evil Dead Trilogy is an resume of increasing financial success not only in horror but also in the fantasy genre.  Making only $2.4 million on "The Evil Dead," Raimi's production budget was $375,000.  "Evil Dead" II had a production budget of $3.6 million and grossed $5,923,044, not quite doubling their money but enough to call the film successful.  The third film in the series, "Army of Darkness," made the most money with $11,502,976 and $21.5 million worldwide while generating a cult following.

Comedy

In 1985, Raimi directed the Cohen Brothers' film "Crimewave."  During release, the film was not only a critical but also a financial failure.  Raimi and friends were not used to having a studio breathing down their necks and making decisions for him.  The major financiers of "Crimewave," Embassy Pictures, held creative control over Raimi's head on choice of actors, actor's salaries, and script changes.  Sam Raimi learned that, as a director, one needs to have ones act together when dealing with major studios in the production of a film.  If the film was a financial failure, then it was Raimi's greatest opportunity as a director to learn the art of dealing with the studios.

Science fiction, a tortured superhero, and a spaghetti western. 

After completing "Evil Dead II," Raimi creating his own tortured superhero, filmed "Darkman" and released it in 1990.  Starring Liam Neeson and Frances McDormand, "Darkman" is less horror and more of a sci-fi crime thriller.  Faring better than any of Raimi's films to date, "Darkman" made $48,878,502 in worldwide ticket sales, "Darkman" was what Raimi needed.  Now known as a director of horror, fantasy, and comedy, Raimi moved on to a new genre for him, the western.  1995's "The Quick and the Dead," starring Gene Hackman, Russell Crowe, and Sharon Stone.  Receiving lackluster reviews and attendance, the film, however, is noteworthy for performances by Russell Crowe and Gene Hackman.  "The Quick and the Dead" had a $35 million production budget the film only brought in $18,636,537 domestically.

Mainstream ventures

 An adaptation of Scott Brown's novel, "A Simple Plan," is neither horror nor comedy and a new direction for Raimi.  Starring Bill Paxton, Bridget Fonda, and Billy Bob Thornton, is a story about three men who find several million dollars in a crashed airplane.  The film is a character study of how decent people do terrible things when money comes into their lives.  Well received by the press, "A Simple Plan" didn't fare as well at the box office.  The film's reported budget of $30 million, only made $16,316,273.  By the end of the decade, Raimi added romance to his range of directorial competence with "For Love of the Game" in 1999.  Kevin Costner stars in Michael Shaara's ("The Killer Angels"/"Gettysburg") adaptation of his novel of the same name.  Raimi directed this drama of love, of baseball, and the coming to terms with one's priority in life; the film didn't fare well at the box office with only $46,112,640 in worldwide sales, despite the film 80 million dollar budget.  Directing Billy Bob Thornton's "The Gift" in 2000, closing out the century with a mystery thriller with a touch of horror, Raimi and Thornton garnered little success financially or critically.  "The Gift" received less than favorable reviews from critics and made $44,567,606 at the box office.


Comic book action hero

During the 80s and 90s from a profit and loss statement, Raimi's horror pictures make more money than his mainstream films; however, Sam Raimi is just getting started.  In 2002 through 2007, Sam Raimi directed the phenomenally successful "Spider-Man" franchise through three films reaching a combined total of $2,496,346,518.00.  With each "Spider-Man" film averaging around $832 million each, the franchise is Raimi's most financially successful films to date.

Television Executive Producer

Since attaining a level of prominence in Hollywood, Raimi has kept his attentions on many genres as producer, and writer.  During the 90s, Raimi was the executive producer for TV series like "Hercules: The Legendary Journeys"  and "Xena: Warrior Princess," and two direct to video "Darkman" films.  During the last decade, Raimi served as executive producer on science fiction shows as "Cleopatra 2525" and was the producer of 2004's "The Grudge" and in 2006 "The Grudge 2."

Real Horror Directors

Compared to Wes Craven, Sam Raimi's resume as a horror director comes up short. Craven with 29 directorial credits and only 2 films that stray entirely outside of the horror thriller genre, Wes Craven is a better contender for the horror director title.  Craven's films include the "Nightmare on Elm Street" franchise, the "Scream" franchise, and the 70's classics "The Last House on the Left," and "The Hills Have Eyes."  

Director John Carpenter has 30 directorial credits; however, one can discount "Dark Star" (1974), "Assault on Precinct 13" (1976), "Elvis" (1979), "Big Trouble in Little China" (1986), and "Starman" (1984) as horror films, leaving 25 films still in the count. 

A director with only one film of the 19 he directed in the last 40 years not listed under the horror genre, a true horror director is George A. Romero.  Starting like Raimi with the low-budget "Night of the Living Dead" in 1968, Romero has consistently put out three horror films in the last four decades.

Sam Raimi is not horror director but a brilliant film director who can make horror films, along with any genre that producers wish to hand to him.  Raimi is commercially better at the action fantasy genre than he is with the horror-thriller genre.  When it comes to horror films, Raimi and friends inject a unique humor that make his horror films stand out from directors like Craven and Carpenter.  "Drag Me to Hell" was an exception to his typical campy "The Evil Dead" style of horror film, as "Drag Me to Hell" was truly scary proving that when he wants to Raimi can do horror just as well as the next horror director

Originally published on 6/15/2010 on Associated Content by Robert Barbere.